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Sunday, October 18, 2026
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Ballet Star Matthew Ball on Demanding Parts and Online Scrutiny: 'I Don't Feel Protective About My Body'

Within the hushed atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's posture is effortlessly straight-backed, his arms defined beneath a plain white T-shirt. On stage, ballet dancers can appear like powerful deities, yet frequently offstage they are small. This is not true for Ball, whose height is one reason for his popularity for princely roles and partnering. Possessing delicate traits and piercing eyes, there's a hint of Robert Pattinson about him.

An Apparent Ascent to the Pinnacle

Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Raised in Liverpool, he faced little ridicule for his childhood passion in ballet. Joining the esteemed training institution at 11, he graduated straight into the company and was advanced annually, reaching the top rank of principal in 2018. He has loved taking on substantial dramatic roles, particularly the psychological angst found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His upcoming starring role is as himself, in an "Evening With" event aiming to offer intimate insights into a dancer's art. He will guide the crowd through a role, demonstrating his mental workflow during performance. Even in lighter ballets, the test is profound. "A classic ballet is one of the toughest from a skill perspective," he notes.

The Mental Game and After the Show Emotions

How does he feel after a show, when he has pulled it off? "It feels pretty good," he says. "However because I'm trying to extract all the juice out of it, and get lost in the role, frequently I do feel self-conscious afterwards. After Mayerling I'm always like: Wow, what must people think?"

Offstage, Ball is reflective, mild-mannered, and quick to laugh at himself. Yet a dance maker previously remarked on a "kind of suffering in him." Is there? "I am very energetic in general, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Drivers and Creative Influences

Ball's determination stemmed from youthful setbacks. Not excelling in contests at school made him "vengeful!" It was fuel to prove he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming endeavor is creating his own dance works. In his view, "there's nothing wrong with." "Challenging the conventions is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from literature, compositions, and painting.

Close-Up Performance and Private Dynamic

He additionally favors staging dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They aren’t usually paired on stage at their home company, which might be beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Physical Image

On Instagram, followers can see videos from his dance films and images that showcase a athletic form. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He relates it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.

Ball describes his early self as "eager for success." Did it met his hopes? "I am conscious of how life is a separate reality to the dreams you had as a young person," he muses. He likely has about decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."

About the author

Stacie Chung

Elena is a historian and urban photographer with over a decade of experience documenting city transformations and cultural heritage.

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